Canbury Press

Martin Hickman

Martin Hickman

Canbury Press is a book publisher specialising in contemporary non-fiction. It was founded in 2013 by a former Independent newspaper journalist, Martin Hickman.

Our aim is to depict the world as it really is, stripped of spin.

Canbury Press is based in Kingston upon Thames and can be contacted through:

Website: www.canburypress.com
Twitter: @CanburyPress
Instagram: canburypress
Facebook: @canburypress
Telephone: 44 (0) 1892 837171

In their own words…

When did you start publishing?

2013, when I left The Independent as a reporter

What made you want to start an independent publisher?

To tell important stories, free of any editorial or commercial filters

What genres do you specialise in?

Non-fiction. Politics, environment, health, technology

Where are you based?

Kingston upon Thames, Surrey

Do you have a submission window, if so when?

We are happy to look at submissions all year round

What is your submission procedure?

Email a pitch, chapter structure and some sample chapters (including the first) for a non-fiction book to canburypress@gmail.com. I’m afraid we won’t look at fiction.

Who are you (team photo if possible)?

At the moment it’s a one employee business – me (MD Martin Hickman). But, we are hoping to take on someone in the near future

Background in the book industry?

My first job aged 18 was as a clerk at BCA in London, which used to run book clubs; was a massive company at the time but it closed a few years ago. Twenty years later while a journalist, I wrote a book about phone hacking with Tom Watson MP, Dial M for Murdoch, which was published by Penguin. Apart from that first job and the book, my background in publishing was zilch. I started Canbury with no capital, contacts or experience.

Talk about some of your books if possible?

We specialise in non-fiction that matters. We are proud of all our books, but two titles have left an especially deep impression on readers: Because We Are Bad by Lily Bailey, a jaw-dropping and heart-rending memoir about OCD and Brexit: What the Hell Happens Now? by Ian Dunt, which set out in 2016 just why leaving the EU would be so hard.

Under the Wig by William Clegg QC, his generation’s leading criminal barrister, is not only a great read, it makes a compelling case for properly funding the courts. Our latest title, YouTubers by Chris Stokel-Walker, is the first independent, in-depth (and frankly important) exploration of a website which is bigger than Facebook.

We’ve sold our titles to bigger publishers around the world. For instance, Quercus has just released the paperback of Under the Wig.

and future projects/dreams if you can?

We have a pipeline of very exciting books coming in the next 18 months. We have a pithy marvel coming on Brexit (by a well-known author, not Ian), and Generation Rent by Chloe Temperley which takes an eye-opening look at why the housing market in Britain is so screwed.


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Monstrous Regiment

Monstrous Regiment

Monstrous Regiment

Monstrous Regiment Publishing Ltd is an independent publishing press based in Leith, Edinburgh. It was founded by Ellen Desmond and Lauren Nickodemus in 2017.

Their passion for publishing working class writers, as well as topics of intersectional feminism and sexuality led them on a mission to curate bold and fresh content; the stories and lives they felt were often missing from bookshelves.

In 2018 Monstrous expanded to include one contracted in-house designer (Hannah Killoh) and two student assistant interns (Lauren Mulvihill and Kelli Staake).

Monstrous Regiment is based in Edinburgh and can be contacted through:

Website: www.monstrous-regiment.com
Twitter: @MonstrousRgmt
Instagram: @Monstrousregiment
Facebook: Monstrous Regiment (@Monstrous Rgmt)

In their own words…

When did you start publishing?

We opened our doors in April 2017 with our first publication arriving in December 2017. It was a slow start but it looks like the speed will be picking up for us from here on!

What made you want to start an independent publisher?

We come from very working class backgrounds and are very passionate about the issues facing minority authors. We wanted to set out to fill bookshelves with the voices that are often missing. We knew the problems facing the publishing industry include that the people in the top roles at many publishing houses are often white, cis, straight men. We thought the best way to change this was by becoming CEOs of our own company and changing things from the top. We don’t want there to always be the same old gatekeepers to what gets published. We were inspired by other small presses crowdfunding projects that brought grassroots and marginalized voices to the forefront. Crowdfunding seems to be a great way to help diversify the arts (we’ve seen 404 Ink, Marbles, Media Diversified, Knights Of, Knight Errant Press and many more do it successfully).

What genres do you specialise in?

We are an independent and intersectional feminist press, so feminism’s our specialty! Being intersectional is important to us and over the last two years we’ve gathered a very queer following.

Where are you based?

We are based in a wee flat in Leith, Edinburgh! We also have a shared workspace at Edinburgh Napier University’s start up business hub Bright Red Triangle as we started this business while students and they endorsed us non-financially.

Do you have a submission window, if so when? What is your submission procedure?

We currently don’t have a submission window open but look out for some opportunities later in the year! We do open calls for submissions for our literary magazines and anthologies, but we also commission behind the scenes and work with groups to improve our outreach. Moving forward, we will probably start to focus more on single authored books, as we are learning the hard way that we are too strapped for resources to handle such demanding, multi-authored projects. Our social media and websites will advertise any opportunities.

Who are you (team photo if possible)?

Monstrous Regiment Publishing Ltd is a feminist micropress based in a wee flat in Leith, Edinburgh, founded by two MSc Publishing graduates while still at uni in 2017. The co-directors (Ellen Desmond and Lauren Nickodemus) do this voluntarily, around their other commitments, because we really believe in it. Our passion for publishing working class writers came from our own backgrounds, and that combined with our interest in topics of intersectional feminism and sexuality led us on a mission to curate bold and fresh content; the stuff we felt was often missing from bookshelves – books and events about bisexuality stood out in particular as a gap in the market for sure.

In 2018 Monstrous expanded to include one contracted in-house designer (Hannah Killoh) and two student assistant interns (Lauren Mulvihill and Kelli Staake), paid in stipends.

Background in the book industry?

The co-founders (Lauren and Ellen) and in-house designer (Hannah) all have MScs in Publishing (though we don’t think they should be fully necessary for industry access)! Lauren has worked in book marketing in Edinburgh for two years and Ellen’s background is about 8 years of magazine publishing experience. Hannah currently also works in arts publishing.

Talk about some of your books if possible? and future projects/dreams if you can?

2017’s The Bi-ble, a collection of original essays and personal narratives giving platform to the thoughts and experiences relevant to bisexuals today, was our first publication. We crowdfunded for the original anthology print run having no idea it was so in demand. We now know the market need for this and have heard from many bookshops and readers that it has become the “go to” recommendation for someone searching for a book about bisexuality. We also know there are more stories than one (or a hundred) anthologies of this kind could ever tell. So this year we’re bringing The Bi-ble back with a fresh new look, but this time also publishing its little sibling Volume Two: New Testimonials, which is packed full of never-before-published essays. We’ve also published a few zines and two literary magazines (Emerald and Crimson). Later this year we hope to move on to novels, novels and different types of essay collections.


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